The Myth of the Outlaw in Mexican and North American Border Music

Synopsis

Many songs embody myths that create social and cultural identity. One example is the Myth of the Outlaw, which was instrumental in the construction of American society in frontier days; its misappropriation and misuse, however, threaten to deconstruct and divide that society in our time. A current issue in political discourse is the question of immigration and identity, and the Myth of the Outlaw is at the heart of it. This chapter will show how this myth is used in folk and popular music, and how this music is used in turn for political propaganda.

Author Biography

Victor Kennedy

Maribor, Slovenia. E-mail: victor.kennedy@guest.um.si

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Published

June 23, 2025

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Kennedy, V. (2025). The Myth of the Outlaw in Mexican and North American Border Music. In T. Onič, U. Šivic, & T. Turk (Eds.), Music with a Message: Words, Music and Propaganda 2 (pp. 23-44). University of Maribor Press. https://press.um.si/index.php/ump/catalog/book/954/chapter/691