From Literature to Children’s Opera: Fox Moon by Maša Ogrizek as Example of Intermedial Adaptation

Authors

Nika Vizjak Puškar
University of Maribor, Faculty of Education
https://orcid.org/0009-0001-5788-0251
Nana Forte
University of Maribor, Faculty of Education
https://orcid.org/0009-0006-8606-9245

Synopsis

The article discusses the fantasy narrative Fox Moon (2021) by Maša Ogrizek and its opera adaptation (2025) as an example of intermedial transfer of a contemporary youth literary work into a musical-stage medium. The research is based on a qualitative comparative analysis of the literary model, libretto and opera performance and combines a literary, musicological and intermedial approach. The analysis focuses on the organization of space and time, the characterization of characters, motif sets and the role of voice, sound and music. The article shows that the opera preserves the fundamental themes of the literary model, such as growing up, loss, identity and belonging, but transforms them in accordance with the expressive possibilities of the opera medium. Voice, sonority, choir and percussion accompaniment play a particularly important role, co-creating meaning and replacing part of the narrative functions of the literary text. The opera adaptation thus proves to be an independent artistic interpretation, translating literary motifs into the language of sound, rhythm and staging.

Author Biographies

Nika Vizjak Puškar, University of Maribor, Faculty of Education

Nika Vizjak Puškar is a PhD in literary studies and an assistant professor of Slovenian literature at the Faculty of Education, University of Maribor. She is employed at the Maribor Hearing and Speech Center as a teacher of Slovenian language and literature, where she works with deaf and hard of hearing students, students with speech and language disorders, and students with autistic disorders. Her research focuses on young people's literature, reading literacy, adapting literary texts for different groups of readers, and the study of literary adaptations. In her doctoral dissertation, she researched the adaptation of fiction into easier-to-read forms for students with speech and language disorders. She also pays special attention to easy reading, the accessibility of literature, and the relationship between literature and other artistic media.

Maribor, Slovenia. E-mail: nika.vizjak1@guest.um.si

Nana Forte, University of Maribor, Faculty of Education

Nana Forte is a composer and assistant professor of music theory at the Faculty of Education of the University of Maribor. She graduated in composition at the Academy of Music in Ljubljana and continued her studies at the Carl Maria von Weber University of Music in Dresden and the University of the Arts in Berlin. Her oeuvre includes chamber, vocal, vocal-instrumental, music-theatre and orchestral works. Vocal music, especially choral composition, is at the heart of her creativity. Nana Forte's compositions are often performed by professional European choral ensembles and are regularly presented outside Europe. She also works in the field of opera and musical theatre; her operatic debut Paradies oder nach Eden premiered at the Vorarlberger Landestheater in Bregenz in 2016.

Maribor, Slovenia. E-mail: nana.forte@um.si

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Published

August 3, 2026

How to Cite

Vizjak Puškar, N., & Forte, N. (2026). From Literature to Children’s Opera: Fox Moon by Maša Ogrizek as Example of Intermedial Adaptation. In D. Haramija (Ed.), Trideset let literarne nagrade večernica. University of Maribor Press. https://doi.org/10.18690/um.pef.3.2026.17