Stay Sane Inside Insanity: The Occult Classical and The Propagation of Hedonistic Insanity in The Rocky Horror Picture Show

Authors

Noemi Čop
University of Maribor, Faculty of Arts

Synopsis

The LGBTQ+ community’s struggle for equality is a tale as old as time. For example, in the early 1970s they were oppressed, beaten, and marginalised. They were even perceived as aliens. Richard O’Brien gave the “aliens” a voice and celebrated their “alienness” in the script for the musical The Rocky Horror Show, which became popular enough to be made into a movie, The Rocky Horror Picture Show (1975). As the film became a cult classic, it opened a door for a wider audience to become acquainted with the LGBTQ+ community. Though they are shown as a group of immoral hedonistic aliens from the planet Transsexual, in the galaxy Transylvania, their effect on the everyday human is undeniable. In this chapter, I will discuss how the main antagonist’s similarity to the god Dionysus, along with the film’s allusions to Greek mythology, help propagate “Trans-bacchanals” and normalise otherness.

Author Biography

Noemi Čop, University of Maribor, Faculty of Arts

Maribor, Slovenia. E-mail: noemi.cop@student.um.si

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Published

June 23, 2025

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Čop, N. (2025). Stay Sane Inside Insanity: The Occult Classical and The Propagation of Hedonistic Insanity in The Rocky Horror Picture Show. In T. Onič, U. Šivic, & T. Turk (Eds.), Music with a Message: Words, Music and Propaganda 2 (pp. 231-248). University of Maribor Press. https://press.um.si/index.php/ump/catalog/book/954/chapter/701